Journal

Lou Jones on counter-narrative, the long commitment, and what Africa keeps teaching him. A decade into photographing all fifty-four countries, he talks about the project — and what it has done to him.

Michael Dean Morgan spent several years in Bali before turning his camera toward the island's devotional life. Thirteen photographs on rain, ritual, and a place where the two have always shared the same hour.

Toby Binder on nearly two decades in Belfast, the long work of building trust, and what photographs can carry across a wall.

In Sindhudurg, where he was raised, Indrajit Khambe photographs his children in rivers and forests that hold no pictures of him. These images are what he makes instead of memory.

Kaamna Patel on how Editions JOJO grew from a self-publishing practice into a library, platform, and space for photographic exchange in Mumbai.

Richard Sharum drove thousands of miles through the American interior — Texas, Kansas, Nebraska, the Dakotas — practising what he calls immersive empathy. Every image here is one that didn’t make the book. The other side of the same journey.

Bayard Wootten built a practice on her own terms, long before the industry had a place for her.

Ritesh Uttamchandani on self-publishing, the myth of the book object, and why the work has to come first.

A photo essay on trauma, motherhood, and the slow, uncertain movement toward freedom.